Clips below are played with a 2008 American Standard Strat, Seymour Duncan SSL-5 bridge pickup, Fender CS69 neck pickup, or Seymour Duncan SSL-5 bridge pickup, into a '65 Fender Twin Reverb RI or a Reeves Custom 50.

LIGHT DRIVE / BOOST SETTING - Example of the Tube Driver light drive setting with a Fender Strat into a Reeves custom 50. Settings shown above.

OVERDRIVE SETTING - Example of the Tube Driver overdrive setting with a Fender Strat into a Fender Twin Reverb. Settings shown above.

CAN A TUBE DRIVER HANDLE LEADS LIKE A BIG MUFF?- It can, and David Gilmour has been using the Tube Driver as his main distortion since his 2006 On an Island tour finished (according to him and his backline tech), and his TD overdrive settings from the same tour produced a very muffish distortion. It does a great lead tone, although it does not have quite the same huge bottom end and scooped mid range you find in a Ram's Head era Big Muff. I was going for Gilmour's Pulse era live tone in the clip below. A 'Civil War' Sovtek Big Muff was used for the song Sorrow, so I'm using the Tube Driver here to compare to a Muff. Strat into a Fender Twin Reverb.
BOOSTING A BIG MUFF WITH A TUBE DRIVER- A Tube Driver can be used as a light boost before or after a Big Muff in the signal chain. Muffs like to be driven hard and like a loud, clean tube amp to sound good, but sometimes that is not enough for lead playing or solos, especially with modern Muffs. By 'boost' I don't mean a volume boost, but more of a blend of the two pedals. Driving a Muff with a Tube Driver can make the tone come alive, smooth out the tone while adding some gain and mids, and help it cut through in a band mix better. Most modern Muffs and some vintage Muffs can really benefit from this type of boost. The Big Muff sound is slightly warmer when placing before a Tube Driver, and slightly sharper/harsher when placing it after. The tone of a Tube Driver is fairly transparent when using as a boost, but you can also lightly color the Muff tone when boosting. Download pokemon moon rom.

BIG MUFF BOOST (settings shown above)

Tube Driver set for boost AFTER a Civil War Big Muff - smooth tone
MP3 Sound Clip - Boss CS-2 Compressor > Tube Driver > Big Muff

Tube Driver set for boost BEFORE a Civil War Big Muff- grittier tone
MP3 Sound Clip - Boss CS-2 Compressor > Big Muff >Tube Driver

OLD 1986-87 ERA B.K. BUTLER/CHANDLER TUBE DRIVER VS 2000s ERA B.K. BUTLER TUBE DRIVER- The core circuit design on the 2000s reissue 911 Tube Driver is similar to the original 1985-87 versions, but there were several component value changes across the circuit that affect the way it sounds, as well as different pots. Do they sound different from each other? Tube Drivers of different eras can sound slightly different from each other anyway, primarily because of differences in the way different tubes filter the sound, but also because of how the circuits were slightly revised over the years, and how the components have aged. There was a 1985-87 circuit (with two variations), a 1987 circuit (with two variations), a model 911 circuit board from the 1990s, and a reissue of the 911 that Butler started making around 2005. Each requires different settings to sound the same. However, when using the exact same tube, each can be dialed to sound nearly identical, with the exception of some of the 1985-87 models. If we look at the more common circuits from 1987, the LEVEL, HI, LO, and DRIVE knobs need to be set very differently to get the same tone on a 911 or 911 reissue Tube Driver. The photos below illustrate the differences using a typical 1987 Tube Driver and a 2007 reissue model 911 Tube Driver.

Light drive settings for the common 1987 BKB/Chandler Tube Driver and settings to match the same tone on a 2007 model 911 Tube Driver

Overdrive settings for the common 1987 BKB/Chandler Tube Driver and settings to match the same tone on a 2007 model 911 Tube Driver

The primary difference is much more low end available in the 2007 version than the 1987 version, so it can be dialed into much heavier, fatter tones. There is slightly more drive/gain available on the 2007 TD when set to 10 than most of the 1980s TDs. The 2007 TD offers drive/gain all the way from 1-10, whereas on most of the the older TDs there is no volume at all until the drive gets up to around 2. The 2007 TD also has 'notched' pots, like the Tube Works versions, meaning you feel tiny notches click by as you turn the knobs. Notches 1-2 do little on the 2007 TD drive knob, then at notch three there is a huge jump in volume and drive.

Below are a few comparison clips. These clips are not the correct overdrive settings for Shine On You Crazy Diamond, just what I had set at the time I banged them out. The drive is set around 85%. Both TDs use the same GE brand 12AX7 tube. Strat into a fender Twin Reverb.

Shown Above - The original 1985 BKB/Chandler Tube Driver circuit with components on both sides

Shown Above - The second version of the BKB/Chandler Tube Driver circuit from 1986-87 with components on both sides

Tech n9ne kod download. Shown Above - The third version of the BKB/Chandler Tube Driver circuit from 1987 with most components on the front side

Shown Above - The unauthorized 1988 Chandler Tube Driver knockoff with a different tone stage

Shown Above - A 1994 Tube Works model 911 Tube Driver

Bk Butler Tube Driver Review

Shown Above - A 2007 BKB Tube Driver circuit with bias knob option, which was a reissue of the 911 Tube Works Tube Driver, not the 1980's Tube Driver

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REAL TUBE by TUBE WORKS - Other than one being in super cool enclosure, and the other in a butt-ugly enclosure, the 4 knob 911 Tube Drivers and 5 knob Real Tube versions are basically the same patented B.K. Butler designed Tube Driver circuit with some component differences. The Real Tube includes a mid range knob, allowing for a wider range of tones to be dialed in. In that way, it is actually a more versatile pedal than the 911 Tube Driver, and housed in a smaller enclosure. It is powered by an internal transformer and includes a power cord like the Tube Driver. There was a USA made version by Tube Works beginning in 1987, and a Taiwan version made when Tube Works was sold to Genz Benz in the 1990s. The only real difference between the two was less expensive, cheaper parts in the Taiwan version. Some of those Taiwan pedals were made with a 9v or 12v DC power jack on the back, rather than a built in power transformer and AC cord on the earlier models.
IBANEZ TUBE KING TK999US - This is another B.K Butler design, made by his Tube Works company for Ibanez. It is basically the 5 knob Real Tube circuit with a few changes and improvements, like an active tone circuit rather than the passive circuit in the Real Tube. Unlike the 911 Tube Driver and Real Tube, the Tube King includes an output buffer so it is immune to most capacitance and loading issues that can plague those other pedals. It also runs off a standard 9v DC power jack, not an internal transformer, so noise issues associated with the internal transformer in the Tube Driver and Real Tube have been eliminated. When using the same tube, it can sound 90% the same as the Real Tube or 911 Tube Driver. The pcb includes the Butler patent number 5022305. Note: there were two versions, one from Tube Works that was made in the USA, and one made in Japan by Maxon for Ibanez and Maxon branded versions that were sold internationally. The Japanese version does not follow Butler's circuit.
4 KNOB 911 TUBE DRIVER vs 5 KNOB REAL TUBE - Other than the mid range knob, do the Real Tube and 4 knob 911 Tube Drivers from the 1990s and 2000s sound any different? Tube Drivers can sound slightly different from each other anyway, primarily because of differences in the way different tubes filter the sound and circuit variations, but when using the exact same tube, the 911 and 5 knob Real Tube versions can both dial in nearly identical tones. The US made version of the 5 knob Ibanez Tube King is also based on the Real Tube circuit and sounds very similar.

The photos above show what the Real Tube and Tube King settings need to be to match the tone and drive of the 2007 reissue 911 Tube Driver settings on the right

Even when using the exact same tube, the same knob settings on the Real Tube and Tube King will NOT result in a matching tone and drive on the 4 knob 911 Tube Drivers built after 2005. To get the Real Tube and Tube King mid range to match the pre set mid EQ in the 911 Tube Driver you have to dial the MID knob down to around 9:00. The highs and lows on the Real Tube and Tube King are also notched a bit differently than the 911. The photos above show what the Real Tube and Tube King settings need to be to match the tone and drive of the 911 Tube Driver settings on the right.
DAVID GILMOUR TONES - David Gilmour has been an avid Tube Driver user since the 1990s. He first used them for the recording sessions for Pink Floy's Division Bell album in 1993. Those same sessions also resulted in Pink Floyd's The Endless River album, which was not completed until 2015. He used 911 Tube Drivers extensively for his 2006 album On an Island and the subsequent tour, heard on the Remember Than Night and Live in Gdansk concert releases, as well as his 2015 Rattle that Lock album and tour. I have a page about Gilmour's various Tube Drivers and settings HERE.

David Gilmour's 1994 Pink Floyd pedal board with two 1986-87 era BKB/Chandler Tube Drivers labeled #1 and #2. A page about Gilmour's Tube Drivers can be found here HERE

ERIC JOHNSON TONES - Eric was the first well know user of the Tube Driver back in the 1980s. Listen to Johnson's Cliffs of Dover from his 1990 album Ah Via Musicom for an example of his 1980s Tube Driver into a 100w Marshall amplifier. Four different Tube Drivers have been seen in his recording studio. He owns one of the first Tube Drivers made by Butler in 1985, which is marked Chander Electronics - Patent Pend. on the front, no BK Butler markings. The words Tube Driver are marked with a TM, as the tredemark registration had not gone through yet.

Shown above (left to right) - Eric Johnson's 1985 Chandler branded Tube Driver, his 1986-87 period BKB/Chandler branded Tube Driver (with Chandler blacked out), and his 2005/2006 period BKB branded 911 Tube Driver

Shown above - two versions of Eric Johnson's pedal board with Tube Driverss. He mounts the TDs on a piece of wood so he does not have to bend down far to reach the knobs.

Eric primarily uses the TD as a booster for his 1969 Marshall 100w plexi amps and to add gain to his lead tone through a Marshall JTM-45 or JTM-100 into a Marshall 4 x 12 cabinet. He sets the tone controls off and the drive at around 11:00. This is the setup, as he described it in Guitar Player magazine: 'The lead chain goes from a stock, late-’60s Italian-made Vox CryBaby to a stock ’80s BK Butler Tube Driver loaded with a Yugoslavian 12AX7. I set the Tube Driver up on a block because, for some reason, it sounds better set apart from the rest of the pedalboard (Eric later said this was becasue it was easier to reach the knobs). The signal then flows to channels 1 and 2 of a ’69 100-watt Marshall Super Lead. [Settings: Polarity Switch Up, Presence 0, Bass 5, Middle 3, Treble 0, Volume I 9, Volume II 10]. A Monster Cable connects the head to the straight-bottom Marshall 4x12, which is loaded with 25-watt Celestion Greenbacks.'

JOE SATRIANI TONE - Joe was an early user of the Tube Driver. Listen to the track Surfin' with the Alien from his 1987 album of the same name. Joe described his setup for that song in Vintage Guitar magazine: 'I used a Kramer Pacer (guitar) made from spare parts… The tone on the title track is so big, throaty, and dry. It was the Kramer into a Vox wah and a Chandler Tube Driver into a Marshall half-stack. We used an Eventide 949 Harmonizer for the pitch-shift effect.'

Shown above - J Mascis 5 knob Tube Works Real Tube Overdrives with J's settings, and his four knob 911 Tube Driver.

J MASCIS DIRTY 'CLEAN' TONE - J Mascis of Dinosaur jr is another Tube Driver user. He uses the TD for a slightly dirty clean tone in his live rig. It is his always-on sound. He has used the older 5 knob Tube Works versions, and the modern four knob BKB version. Both are shown above with J's settings. J was spotted using the modern four knob version on his 2011 board, into a Hiwatt Custom 100 and two vintage Plexi Marshall 100w amp heads, all with Marshall speaker cabinets.

Shown above - Joe Bonamassa's preferred Tube Driver is the Genz Benz 911 version from the 1990s, shown above

JOE BONAMASSA TONE - Joe Bonamassa is also a Tube Driver user, and had this to say on his website: 'I have three Tube Drivers and they are all different. Try the Genz Benz one. that is actually the best in my opinion. Also using a 12AT7 in them helps.' The Genz Benz version was made in Taiwan after Butler sold his Tube Works company to Benz. It can be identified by the 911 model number in the pedal graphics.

Shown above - Joe Bonamassa's pedal board with a 2006 era 911 Tube Driver

RECOMMENDED SETTINGS - Below are recommended settings from the Chandler Tube Driver Owners manual included with the pedal way back in 1988!

911 TUBE DRIVER REISSUE MANUAL

READING SERIAL NUMBERS - Here is how to read the serial number engraved on the bottom of the BK Butler made Tube Drivers. The first one or two digit are the year made, next two digits are the month, next two digits are the day, and last two digits are the number in the batch.

Older 1980s model Tube Drivers have seven digits. So serial number 6080415 would be:

6 = 1986
0804 = August 4th
15 = 15th made in the batch

Later model Tube Drivers from 2005 and onward have 8 digit serial numbers, so serial number 06071709 would be:

06 = 2006
0717 = July 17th
09 = 9th made in the batch

REPLACEMENT TUBE DRIVER KNOBS - The yellow capped knobs used on the reissue 911 Tube Drivers made since 2005 are unique to B.K. Butler, as he owns the tooling. You can't find those exact knobs unless you buy them direct from him. The various versions of the yellow capped knobs used on the older Tube Drivers were cheaply made and broke easily. The yellow caps were also prone to falling off and becoming lost. It is very difficult to find these same knobs now. Below is a comparison of the different knobs used, and a modern RS Knobs replacement.

RS Components still makes (at the time this was written) a very similar grub screw knob with separate caps, shown below, but it is slightly taller and wider than the TD knobs. www.alliedelec.com also sells the same RS knob and caps. The caps come in several colors, including red, for those of you that want the cool look of David Gilmour's #1 Pulse Tube Driver. They don't exactly fit the older Tube Driver knobs or the smaller knobs used on the 2000s Tube Drivers, but can be modified to fit.

Knobs
RS Stock No. 465-9397

Bk Butler Tube Driver Demo

Yellow Caps
RS Stock No. 465-9426

Red Caps
RS Stock No. 465-9432

Bk Butler Tube Driver Schematic

Rapid Electronocs sells (at the time this was written) more accurate knob and caps, but they are slightly larger than the TD knobs. They are made by Sifam in the UK. They are D shaft knobs, so they would need to be drilled out to make round. Sifam discontinued the round shaft hole version, the TPN150, which I believe was nearly identical to the original Tube Driver knobs.

Bk Butler Tube Driver Clones

Knobs: Sifam DCN150

Bk Butler Tube Driver Clone

Caps: Sifam C151